About Collections

“I think the [Great 78] project will demonstrate what can and should be done if any institution is really serious about preserving our collective cultural experience as expressed in sound.”
Jonathan Hiam, Curator, American Music Collection and The Rodgers and Hammerstein Archives of Recorded Sound at The New York Public Library for the Performing Arts

illustration of tachardia lacca beetles

Shellac is made from beetle resin

While audio CDs whiz by at about 500 revolutions per minute, the earliest flat disks offering music whirled at 78rpm. They were mostly made from shellac, i.e. beetle resin, and were the brittle predecessors to the LP (microgroove) era. The format is obsolete, and the surface noise is often unbearable. Just picking them up can break your heart as they break apart in your hands. So why does the Internet Archive have more than 200,000 in our physical possession?

For years the ARChive of Contemporary Music (ARC) had been getting calls offering 78rpm collections that they were unable to accept. But when Internet Archive and ARC partnered to focus on preserving and digitizing audio-visual materials, space and shipping became available and it was now possible to begin preserving 78s. Here’s a short history of how in only a few years ARC and the Internet Archive have created one of the largest collections in America.

Our first major donation came from the Batavia Public Library in Illinois, part of the Barrie H.Thorpe Collection of 48,000 78s.  For us this donation is a dream: it allows us to preserve material that was otherwise going to be thrown away; it has a larger cultural value beyond the music; and it contained a mountain of unfamiliar music, much of it quite rare.

It was a second large donation that prompted the Internet Archive to move toward the idea that we should digitize all of our 78s. The Joe Terino Collection came to us through a cold call. The 70,000+ 78s were stored in a warehouse for more than 40 years, originally deposited by a distributor.

Over time more collections have been offered to us and we’ve accumulated 200,000 78s in our physical archive facility.  The Great 78 Project is the beginning of our efforts to digitize these discs for preservation, research and discovery. Read more on the Internet Archive blog.

Rights Information

This collection has been made available for use in research, teaching, and private study only. Copyrights that may exist in these materials have not been transferred to the Internet Archive. The Internet Archive does not advise as to the copyright status of items in our collections. Our terms of use require that users make use of the Internet Archive’s collections at their own risk and ensure that such use is non-infringing and in accordance with all applicable laws. It is the user’s responsibility to determine whether permission may be required for a given use of these materials, or whether such use is authorized by law.




Barrie H. Thorpe / Batavia Illinois Public Library Collection

Our first major donation of 78s came from the Batavia Public Library in Illinois, part of the Barrie H.Thorpe Collection of 48,000 78s featuring pop, country, big band, and jazz recordings. The collection was donated to the Batavia Library in 2007 from a local collector, Mr. Barrie H. Thorpe (1925–2012).  What makes the Thorpe collection unique is the obsessive typewritten card catalog.
Visit the archive.org Barrie H. Thorpe Batavia Illinois Public Library Collection


Archive of Contemporary Music

The ARChive of Contemporary Music (ARC) is a not-for-profit archive, music library and research center located in New York City since 1985.

The ARChive collects, preserves and provides information on the popular music of all cultures and races throughout the world from 1950 to the present.

The ARC grows daily as hundreds of record companies, publishers, distributors, collectors, artists and music fans from around the world donate new materials to the ARC. In addition to sound recordings the ARChive actively collects all books, magazines, videos, films, photographs, press kits, newspapers clippings, memorabilia and ephemera relating to the history of popular music. We also maintain a variety of informational databases other than those on recordings and books, notably our Music Index of 52,000+ people working in the music industry.

Over the past 32 years a great many regular donors have contributed 78s to the ARChive of Contemporary Music (ARC).  Because 78s were never a mandated focus of ARC, the discs were usually sorted by genre, shelved and only cataloged on a project-by-project basis. So while we gratefully acknowledge their contributions, we are not able to pinpoint exactly who donated which 78 before the Great78project began.  

So, thanks to: Steve Powers, NYC artists who has been an annual donor for the past ten years;  Elisa Rios who offered a great group of mostly Puerto Rican recording; VB Leghorn who sent her father’s record collection that had sat in the garage for years, BUT all were in good to near mint condition and all electronically catalogued; and Johnny Adams estate donated a small pile collected by this jazz radio DJ. Two donors, both named Ed, who have contributed focused country collections of 78s are Ed Salamon, was the one-time head of the Country Radio Broadcasters and Ed Ward, who runs the Ward Irish Music Archives.  

Upcoming or potential donors of 78s include Saint John’s University (500), David Rosenstein (jazz 78s), a tad from Katy Kavanaugh, William B. Hise who is busy packing up his 3,000 discs.
Visit the archive.org ARChive of Contemporary Music.


Joe Terino Collection

The 70,000 plus 78s were stored in a warehouse for more than 40 years, originally deposited by a distributor. Here’s the kicker: they said that we could have it all, but we had to move it – NOW! Internet Archive did and it came in on 72 pallets, in three semis, from Rhode Island to San Francisco.


Boston Public Library Sound Archive

The Boston Public Library (BPL) sound collection includes hundreds of thousands of audio recordings in a variety of historical formats, including wax cylinders, 78 rpms, and LPs. The recordings span many genres, including classical, pop, rock, jazz, and opera – from 78s produced in the early 1900s to LPs from the 1980s. These recordings have never been circulated and were in storage for several decades, uncataloged and inaccessible to the public. By collaborating with the Internet Archive, Boston Public Libraries audio collection can be heard by new audiences of scholars, researchers and music lovers worldwide.  Read more about this collection on our blog. Listen to the recordings on archive.org.


Michael Strider

Mr. Strider rescued his dad’s collection of about 300 seventy-eights. He donate the entire collection to avoid sorting and selling separately, cataloged them all, and kindly dropped them off to the IA in San Francisco. Our favorite’s from this batch are the blues discs by Elle Mae Morse. Thanks to Jerry McBride at Stanford University Library recommending us to Mike.

Visit the archive.org Michael Strider collection.


The Charles Stratton Collection

This collection is more than 8,000 sound recordings, primarily seventy-eight rpm pre-war discs, deeded to Kansas State University by Mr. Stratton’s estate in 1968.  The recordings represent a broad range of early jazz, classical and popular music.  This collection was donated by The Richard L. D. and Marjorie J. Morse Department of Special Collections at Kansas State University through the kind efforts of Head Librarian, Keli E. Rylance, Ph.D.

Charles William Stratton (1906-1966) was a noted musicologist and pianist who received his undergraduate and graduate music degrees at Kansas State University and was on their faculty from 1927-1964.  A child prodigy blinded from the age of eight to eighteen, Professor Stratton also studied at the Curtis Institute, the Royal College of Music and Harvard University.  Information on his rare print materials housed at Kansas State can be found here: http://www.lib.k-state.edu/depts/spec/rarebooks/collections/stratton.html


Daniel McNeil Collection

The collection of 22,359 ten and twelve inch seventy-eights is one of the first that ARC worked with from beginning to end, and what a pleasure. Rare for us the discs were all carefully arranged on shelves by label, and then by manufacturer number. Even better, the weeks we spent packing up meant cake and coffee everyday at 4. Here’s Mr. McNeil’s take on the experience:

“I grew up in New Hyde Park on Long Island. When I was about 10 years old I found a pile old 78 RPM records in my grandparents’ attic. I was fascinated listening to them. When you put a human voice to it, boring history suddenly became real and interesting. I went to college, became a research chemist and coauthored a number of scientific papers and several patents. All the while picking up additional 78s when I found them. The more I found the more fascinated I was. I started going to tag sales and flea markets and would often increase my collection by 1000s.

“I was fascinated by Bert Williams, a very popular black entertainer of the late 1800s and early 1900s, the songs of World War I, songs of the roaring 20s and many others. Listening to these old records allowed you to gain a feeling for the era in which they were made.

“Eventually my collection contained over 22,000 records totaling I don’t know how many tons. It occupied a sizable portion of my home. My wife, Ulla, suggests that if I ever want to collect anything else in the future I should consider stamps. We are in our 70s and are starting to think of moving to a smaller retirement home. I had to consider what to do with my cherished, highly valued record collection. I could find people anxious to cherry pick through it but nobody considered the complete collection. I found it very upsetting till I contacted the ARChive Of Contemporary Music and got a positive response. Now I feel overjoyed that, feeling the value and importance of my collection of 60 years, it now has a new home with the ARChive Of Contemporary Music (and the Internet Archive) where it can be appreciated.”

Visit the archive.org Daniel McNeil Collection

David Chomowicz and Esther Ready Collection

This is a unique group of more than 4000 LPs and 78rpm discs, the vast majority pressed in Latin America or the Caribbean. Of special interest are the hundreds of Cuban recordings and more than a thousand Tango discs from Argentina. Of note is the pristine condition of most of the recordings and the many hand-decorated covers that the donor made for 78rpm discs that were originally issued in generic corporate sleeves.

Mr. Chomowicz, who inherited the recordings from a collector friend, and out of respect for the collector and his passion for music, resisted numerous offers to sell the collection. David saw the value to preserve the material for posterity and donated it to The ARChive of Contemporary Music in 2017.

Mr. Chomowicz is a creative professional working in video, print and multimedia in New York City. His design awards and honors include National & Chapter Emmy Awards and numerous awards from The New York Art Directors Club, BDA/Promax, Communication Arts and the AIGA.

Visit the archive.org David Chomowicz and Esther Ready Collection.

Daniel Jan Walikis Polka Collection

While most of these more than 2000 LPs and 78s in this collection celebrate American Polka music, about a quarter of them were devoted to Eastern European and Balkan folk and traditional music. From 1988 until his death in 2012 .Mr. Walikis’ hosted the European Ethnic Melodies show on WHRW, Binghamton, NY, a University’s radio station. The collection was donated by his widow, Rosemary.

Two of the discs were self recorded and featured Dan Jan’s brother Joe, who was 9 year old at the time. The bothers had a band for more than 30 years, the Perceptions. Joe was then just launching his career as Sonny Walikis and his Squeezebox. On one title, “Four Leaf Clover,” Joe’s mother is singing. But the family had no idea this recording existed – it was just hidden in with the boxes and boxes of records – and were overjoyed that they now had a digital copy of the music that both brother loved, recorded and collected their entire lives.

Richard Thayer Skidmore Collection

This largely Jazz 78rpm collection was put together by Richard Thayer Skidmore, an Episcopal deacon in Waretown, NJ.  His father, Lauren (Larry) Henry Skidmore, was a bassist who played with various jazz and big bands, including Charlie Barnet, The Dorsey Brothers, Glen Miller, Eddie Condon, Jack Teagarden and Enoch Light. He also roomed with Pee Wee Russell on some tours. 

 The discs were donated by Richard Thayer Skidmore’s family, Stephanie and Ben Reynolds and Richard Skidmore. This collection consists of approximately 1,400 jazz seventy-eights, including 250 Edison discs (those really thick ones). This donation also included 100+ jazz LPs, and photos of Larry in various bands, his union card, a visiting card, and some other odds and ends of memorabilia all housed at the ARC in New York City. 



KUSF is the University of San Francisco’s radio station. This non-commercial student-run station originally broadcast on-air from 1963-1977 as an AM station, and from 1977-2011 on the FM dial. This free-form and freewheeling college station was celebrated both nationally and internationally for its innovative music programming.

In 2012 the University of San Francisco donated a large portion of the KUSF collection of 78’s and LP’s to the Internet Archive. Since then many LPs were digitized as a pilot project, and starting in 2018 the 78s will be digitized.

Recycled Records

Bruce Lyall, the proprietor of the Haight Street Recycled Records, has been a good friend of the Internet Archive always giving LP’s, 78’s, and CD’s to us as we have needed test records.  He has even introduced us to others that have been de-accessioning their collections.

Visit the archive.org Recycled Records collection and 78rpm collection.

Larry Edelman Collection

This collection is comprised mostly of Square Dance calling and music, and couples dancing music.  Visit the archive.org Larry Edelman Collection.

Tina Argumedo and Lucrecia Hug Collection

The Tina Argumedo and Lucrecia Hug Collection of 78s contains discs collected in Argentina beginning in the mid-1930s. It comprises primarily tango music, with boleros, sambas, mambo and other dance music. The collection was donated by D’Anna Alexander, Michael and Daniel Alexander, and Débora Simcovich.

Visit the archive.org Tina Argumedo and Lucrecia Hug Collection.

David Hinckley Collection

For more than 25 years Mr. Hinckley has donated thousands of books, LPs and CDs to The ARChive of Contemporary Music. With the advent of the Great78Project David donated a superb collection of more than 300 Country, Cowboy, Western Swing and Hillbilly 78s. Great stuff including discs by the Carter Family, Bill Boyd, Delmore Brothers, Pie Plant Pete, The Skillet Lickers, Arkansas Woodchoppers – 22 by Lefty Frizzell alone. We love these focused collections, especially when in such excellent condition. Hundreds more to come as David slowly re-listens and sorts. David was the Music and Media critic for the New York Daily News for 35 years. Beyond the recordings, the swag he donated to ARC over the years was fab!

Visit the archive.org the David Hinkley collection.

Glenn Allen Howard

Mr. Howard is the Director of The American Musical Heritage Foundation (AMHF). Once based in San Francisco (and maybe moving back) he is a longtime friend of the Internet Archive and has sent the odd crate of 78s every now-and-then.

Mark + Jason Bradburn Collection

A gift of 843 seventy-eights from two brothers in New York, all in alpha-order by artist, and cataloged. This came to us over a two-year period, two separate shipments that also included thousands of forty-fives. This is a nice collection, heavy on jazz (16 Billy Holiday, 8 Illinios Jacquet) and Latin (12 Machito, 22 Trio Los Panchos).

Jules Vandersarl Collection

These well-traveled family-owned discs were originally in Raton, NM and San Antonio, TX, before they came to Mr. Vandersari in Colorado, and subsequently to the Internet Archive in San Francisco. After sending inquiries to several universities with little response, the 1,675 seventy-eights came to us in early 2017. A big thanks to Stephanie Bonjack, Head, Howard B. Waltz Music Library, University of Colorado Boulder, for directing him our way.

Mr Vandersari writes, “I have looked at the arcmusic.org website and what you have done is very impressive. It seems like a fun place to work, getting these old discs cleaned up, transcribing them with current technology, gathering information about the record’s history and making them available for listening on the internet.” He’s still thinking about donating his grandfather’s Rock-Ola juke box!

The record of the donation of the Jules Vandersarl collection.

Joseph and Jennifer Almeida Collection

This 78rpm collection was made by Joseph Almeida who began collecting in the 1990s. The material is mostly popular music, i.e. band dance music and vocal music. The focus is on early electrical recordings 1925-1935 but the collection contains many acoustical recordings in the collection dating back to 1901.

Mr. Almeida said, “I focused on the big three labels (Brunswick, Victor and Columbia ) but there are plenty of budget label recordings as well such as Romeo, Okeh, Vocalion, etc.  I focused on collecting early electrical popular music so about half of the collection consists of early electrical Victor scrolls, Columbia Viva-tonal, Brunswick and the various budget labels from the 1920’s and 1930’s. Dance bands such as Bob Haring, Nat Shilkret, Ben Selvin, Leo Reisman, Arden.Ohman, etc. and many vocal recordings by Franklyn Baur, Lewis James, Frank Munn, Scrappy Lambert, Maurice Gunsky, Chester Gaylord, Nick Lucas etc. and similar artists. The other half are acoustic pre-1925 recordings from Victor, Columbia, Brunswick, Vocalion, Okeh and the usual budget labels dating back to around 1900. I rarely kept anything post 1935 so there are very few of those records in the collection.”

“I will be moving out of the country I won’t be able to take them with me.  I would really like to see them digitized online and then preserved for future generations.”

Visit the Almeida collection.

Seldon Family Collection

Growing up in the 1930’s and 40’s in New York City, how could Walter Seldon not be a Jazz lover? It was the soundtrack of the city, from Blues to Bebop and beyond. In clubs, at concerts, and on the radio, he listened…and he collected as much of that great music as he could. Though he’d missed the Dixieland Golden Age of 1920’s Harlem, it was one of his favorite genres. One of his fondest memories was from 1947 when he attended a recording session of Duke Ellington and his band, then caught a ride back to Ithaca on the band bus. What a thrill that must have been.

Walt was born in 1928 and raised in New York City. In 1944, at the tender age of 16, he earned a Regents Scholarship and attended Cornell University in Ithaca, NY. He took a year off during college, then returned to graduate with the class of 1950 with a Bachelor of Electrical Engineering degree. During his break from Cornell, Walt worked as an engineer at radio station WALD in Walterboro, SC. On Sundays, Walt would set up for remote transmission from the Christian revival meetings for transmission through the station. In exchange, he was allowed his own Jazz broadcasts for a few hours every Sunday evening. What else he may have done at that station is a mystery.

In the early 1950’s, he met the love of his life and soon to be spouse, Delores, at the Music Mart in Baltimore where she worked and he shopped for records. His passion for Dixieland and Big Band was complemented by her enthusiasm for 1950’s Jazz. While Walt collected records, the gregarious Jazz loving Delores collected people, bringing Musicians like Dizzy Gillespie, James Moody, roland Hanna, Mike Longo, Mikey Roker, and so many others to the warm elegance of their Bolton Hill home. Music and laughter abounded there among the famous and less famous musicians, all of whom had a place in the capacious hearts of Walt and Delores Seldon.

Visit the Seldon collection.

Leif Druedahl Collection

Leif Druedahl and the 78’er klubben have been collecting records for preservation for many years, relying on donations from the public. Records have been catalogued by Leif and thousands had already been digitized and uploaded into the 78’er Klubben Collection. Leif hosted a monthly Radio Roskilde show where celebrity guests reacted to the music from these old 78s, and this exposure led to an increase in donations (including a collector who contributed 130,000 records!).

A contingent of volunteers helped to sort through the records and select about 6,000 disks (so far!) to send to the Internet Archive for digitization. The collection is mostly Danish but also includes British, Russian and German records.

Visit the Leif Druedahl Collection.

Ann and Edward Nelson Collection

A donation of 78’s from Ann and Edward Nelson. The collection originally belonged to Ann’s grandparents, Lee and Helen Petersen of Coquille Oregon. Lee and Helen acquired many of the records from Lee’s parents and continued to add to them with their own selections. Lee worked as a cowboy and rancher in the early 1900’s in Humbolt County California and Coos County Oregon. the collection reflects this Western heritage with several records containing cowboy songs, hobo songs and early Hawai’ian music. Helen and her parents also contributed several Vaudeville records, as well as several Orchestras playing Foxtrot music of the era.

Visit the Ann and Edward Nelson Collection.